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	<title>Comments on: Who Needs Performers?</title>
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	<description>Aesthetics, Theory and More…</description>
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		<title>By: Pre-recorded? So, what? &#124; Music in Trains</title>
		<link>http://musicintrains.williamscomposer.com/2008/05/14/who-needs-performers/comment-page-1/#comment-7</link>
		<dc:creator>Pre-recorded? So, what? &#124; Music in Trains</dc:creator>
		<pubDate>Sat, 14 Feb 2009 21:27:01 +0000</pubDate>
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		<description>[...] I have written before in defense of live performers (&#8220;Who Needs Performers?&#8221;), I found the recent attacks on performers who used pre-recorded music rather lacking in substance. [...]</description>
		<content:encoded><![CDATA[<p>[...] I have written before in defense of live performers (&#8220;Who Needs Performers?&#8221;), I found the recent attacks on performers who used pre-recorded music rather lacking in substance. [...]</p>
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		<title>By: Robert Lunn</title>
		<link>http://musicintrains.williamscomposer.com/2008/05/14/who-needs-performers/comment-page-1/#comment-2</link>
		<dc:creator>Robert Lunn</dc:creator>
		<pubDate>Fri, 16 May 2008 20:26:02 +0000</pubDate>
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		<description>&lt;p&gt;I think performers are vital. It&#039;s one of the great things about music that you get multiple interpretations of the same piece. As a performer, live performance is exciting/scary because you never what&#039;s going to happen. The performance aspect allows the piece to breathe. I hope this makes since, I&#039;ve got a child pulling on my leg while write this.&lt;/p&gt;</description>
		<content:encoded><![CDATA[<p>I think performers are vital. It&#8217;s one of the great things about music that you get multiple interpretations of the same piece. As a performer, live performance is exciting/scary because you never what&#8217;s going to happen. The performance aspect allows the piece to breathe. I hope this makes since, I&#8217;ve got a child pulling on my leg while write this.</p>
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