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	<title>Comments on: A New Sense of Direction</title>
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	<description>Aesthetics, Theory and More…</description>
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		<title>By: Bob Knupp</title>
		<link>http://musicintrains.williamscomposer.com/2008/10/24/a-new-sense-of-direction/comment-page-1/#comment-10</link>
		<dc:creator>Bob Knupp</dc:creator>
		<pubDate>Tue, 12 Jan 2010 00:31:14 +0000</pubDate>
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		<description>The only way to get to the core of Schenker is to read Schenker himself. He&#039;s strange, but strangely insightful. To me, the  value of the whole train (blog title&#8230;) of thought lies in the middleground: discovering large scale-connections (but not too large), and developing the intuition to musically convey to a listener the inherent cohesiveness of a work. In this way, large works (10 min. or more) can easily grasp the attention of a listener&#8212;if a performer becomes one with the music.

As for performers of new music: practice and discovery of music begins only after the notes are learned, period.</description>
		<content:encoded><![CDATA[<p>The only way to get to the core of Schenker is to read Schenker himself. He&#8217;s strange, but strangely insightful. To me, the  value of the whole train (blog title&hellip;) of thought lies in the middleground: discovering large scale-connections (but not too large), and developing the intuition to musically convey to a listener the inherent cohesiveness of a work. In this way, large works (10 min. or more) can easily grasp the attention of a listener&mdash;if a performer becomes one with the music.</p>
<p>As for performers of new music: practice and discovery of music begins only after the notes are learned, period.</p>
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